writing

23/08/18 Arts & Culture , Australia , Diaspora & Travel , Society & Politics # , , , , , , , ,

Peddling my wares

Peddling my wares

By Rashida Murphy

 

These days I write the word ‘writer’ on forms that ask me what I do. I know I’ve earned it. I am that person – a published novelist. Publication has changed the way I view my profession. The secret is out. I can own it. Even when I’m questioned and occasionally challenged. ‘What do you write?’ is the inevitable question and these days I have an answer. Sometimes that answer – fiction, is followed by another question – what sort? This leads to conversations, which in most part are educational, entertaining or informative. I may hear the idea of a story I really ought to write or I may be asked to read 500 pages of this story they wrote when their dad was a lad during the war. Of course, everyone knows someone who writes and surely, as a writer I must know them too. Occasionally the conversation turns to my ability to speak English so well, the colour of my skin and my good fortune that Australia allows me to do whatever I want to. Because in Sri Lanka, Afghanistan, Fiji or wherever I come from, opportunities for women are so limited, you know, because they don’t even let women drive there.

 

Continue reading

0 likes no responses
13/05/18 Arts & Culture , Diaspora & Travel , Society & Politics # , , , , , , , , , , , , , , , , , , ,

A Ministry, a Garden, a God

A Ministry, a Garden, a God

By Rashida Murphy

 

I read a lot of books. For research mainly, or so I tell others and myself but also for pleasure, for comfort and to know myself better. I read fabulous books and ordinary ones, heartbreaking books and healing ones, smart books and hilarious ones, and I have a system of shelving these in idiosyncratic ways. I give away a lot of books too, sometimes because I can’t stand to have them in my house and sometimes because I realise guiltily I have multiple copies I don’t need. And I rarely loan them out. I’m sure the ones that I do loan to very special friends burn in their hands until they return them. The bibliotaph’s burden. We all have something to carry, do we not?

Continue reading

0 likes no responses
12/04/18 Arts & Culture , Australia , Diaspora & Travel , Society & Politics # , , , , , , , , , , ,

Cultural Knowledge

Cultural Knowledge

By  Rashida Murphy

 

Such a loaded term – cultural knowledge – coming as it does with its own set of expectations and hints of secrets. When I try to unpack it a little, I think about how knowledge differs from appropriation and what the keepers of cultural knowledge can do to protect themselves from stealth and theft. And the answer is – very little. We live in times of exchange and borrowings and slippages and it is hard to skid to a stop, metaphorically speaking, and say – ‘You have gone too far.’

Continue reading

0 likes no responses
14/08/17 Arts & Culture , Australia , Diaspora & Travel , Society & Politics # , , , , , , , , , , , , ,

Whose culture is it anyway?

Whose culture is it anyway?

By Rashida Murphy

 

When the editors of Southern Crossings invited me to write about the idea that migrant writers use their cultural history, ethnicity and language to mobilise the ‘exotic’ nature of our cultural cache, I was keen to explore this idea further. The notion that what was previously considered a handicap is now desirable, catches me by surprise and brings to mind the (in) famous question asked by Jana Wendt of Toni Morrison in 1998.

 

Continue reading

0 likes no responses