performance

16/06/15 Arts & Culture , Australia , Diaspora & Travel , Society & Politics # , , , , , , , , , , , , , , ,

Making a Scene: A review of Kiran Nagarkar’s ‘Bedtime Story’

Making a Scene: A review of Kiran Nagarkar’s ‘Bedtime Story’

By Sumedha Iyer

 

As we took our seats in the theatre, the actors were on the stage chatting amongst themselves, rehearsing lines and practising their blocking for the evening’s performance. There was no cocoon of darkness for the audience to make themselves comfortable in as the show started – the lights stayed on even as the sutradhar/chorus A.A. Larry ordered the actors into their places. This departure from the usual theatregoing experience was intentional; the audience was to be involved in the ‘bedtime story’ to come.

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02/05/15 Arts & Culture , Australia , Diaspora & Travel , Society & Politics # , , , , , , , , , ,

The Dancer’s Diamonds: A review of Raghav Handa’s Tukre’

The Dancer’s Diamonds: A review of Raghav Handa’s Tukre’

By Roanna Gonsalves

 

There was once a little boy who watched his grandfather at work in India, as he cut diamonds by hand in his workshop. The boy watched as his grandfather looked intently at the diamond in his fingers, then turning to look at him, again and again. That little boy was Raghav Handa. The memory of the movement of his grandfather’s hands and head as he shifted attention from the diamond in hand to the face of his grandson, became the heart of Tukre’, a contemporary dance show choreographed and performed by Handa, now on at Riverside, Sydney, Australia.
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