Rushdie

23/09/19 Arts & Culture , Australia , Diaspora & Travel , Society & Politics # , , ,

All our knowledge

All our knowledge

 

By Rashida Murphy

 

“All our knowledge brings us nearer to our ignorance.”

T.S. Eliot

 

Salman Rushdie’s 2017 novel, The Golden House, has an Australian hypnotist in a transnational cast of characters ranging from Mumbai ex-cons to Belgian filmmakers in New York. It is a typical Rushdie novel, full of verbal pyrotechnics and not-so-obscure political references, but it is the Australian character I puzzle over. Nothing wrong at all in placing an Australian in the heart of Manhattan. But one that speaks with a Kiwi accent?Rushdie’s hypnotherapist speaks in a grimly unfunny and terribly clipped way that mocks the Kiwi accent, not the Australian one. Especially when you consider that Rushdie was in a brief relationship with Australian writer Robyn Davidson in the 1980s, you wonder if the gaff is deliberate or an oversight. And whether, in a convoluted way, Rushdie is attempting to reverse centuries of negative portrayals of brown people in white fiction.

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14/08/17 Arts & Culture , Australia , Diaspora & Travel , Society & Politics # , , , , , , , , , , , , , , , , , , ,

The Writer ‘Abroad’ and the Readers ‘Back Home’

The Writer ‘Abroad’ and the Readers ‘Back Home’

By Prakash Subedi

 

 

To be a non-white writer in the west today is probably very different from it was, say, fifty years ago. Books and ideas travel much faster now, and even if you are writing and publishing in the west, there are more and more people back home who have access to your works. And while this was always the case to some extent, it is now truer than ever that the most passionate responses and vociferous objections to your work are likely to come from readers at home. More often than not, by virtue of being based in a western country and writing about your home, your writing is treated with wariness and your motives with suspicion.

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